global Design Takes Center Stage At Vancouver style Week

global Design Takes Center Stage At Vancouver style Week

On the 16th of April 2011, Vancouver style Week featured designers from Korea, London, and Paris. primary off, starting the show, was designer Kwak Hyun Joo. She used daring, bright colours like yellow, orange, red, and electric blue, paired with black, and pieced them jointly into dynamic, futuristic pieces. imposing as it was, she went beyond trouble-free colours and explored her way into print, coming up with some very cute and current garments, perfectly-befitting of summer. daring, futuristic, current, and attractive, she finished off her collected works with seductive and sexy, yet professionally-chic pieces; a look that only daring and positive women would fruitfully be able to pull off.

Ha Sang Beg, who studied style in both Korea and London, was the second designer to take the arena. By sticking to the necessary colours, he gave himself room to go crazy with his designs. He daringly explored, imaginatively off the cuff, and came up with good-looking designs, that were not too extravagant or over-the-top, yet were exclusively unusual. His show was pleasant to watch, as the colour scheme was, as I said, basic, but yet he continual to blow the audience away with his exclusive ideas. There were also models who came out in black helmets with a little LCD screen on the front that showed a image of sunglasses: this depicted his collected works completely, simple yet out-of-this-world. That was not all, apparently, the ABC was only the start of his show, soon, models clad in neon colours were out on the stage as well. This was a enjoyable surprise, and the show was no less than it was when it primary began.
 
The third and final show of the night showcased Autobiography, a collected works by Nazafarin and Dena who met while attending Esmod global style Institute, in Paris. The showcase was announced as being influenced by Japanese origami and Persian art. True to the description, each part greatly resembled Japanese origami, in more than one way. The metallic fabric used for the garments shimmered and rippled in a way that definitely reminded me of specialty origami paper that I used to fold Japanese artwork with. In fact, the way that the cut were put jointly, also brought origami to my mind. Additionally, the influence of Persian Art could be seen, by the bright blue used, for example, in the luscious long clothing that was exhibited at the finish of the show. The collected works was base on a distinct theme, yet the clothes contained a compelling sense of modernity, and there is no doubt that any woman would feel relaxed and good-looking, as well as very different and sole, clad in an outfit by Autobiography.